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Say
Sorry
Presented by Slice of Life Productions, London (Premiere)
Tuesday, 3rd May - Saturday, 7th May (Written and
Directed by Alex Baker)
T@36 Teachers Club - International Shorts at 8pm + 3pm
Saturday. Tickets 12 euro (2 plays)
Three men - Three outlooks - Three temperaments - One
Living Space!
'Say Sorry' is an uncompromising major new play that
exposes society's big little secret - domestic abuse
in gay relationships. Christian is Mr Average, or is
he? He has a good job and a nice home, which he shares
with his best straight friend, Colin. All that is missing
is the man of his dreams. Then he meets Steven, a complex
soul with a thick veneer that hides a heart of gold
who soon moves in with them. A happy ending should be
on the cards, but with three different men living together
cracks soon begin to surface, quickly followed by jealousy,
threats, and ultimately, terrible violence
Before
long it's too late to Say Sorry.
About The Company
Slice Of Life Productions is the brainchild of Alex
Baker and was borne out of the need for theatre to address
forgotten or too often ignored social issues. 'Say Sorry'
is their first production.
Since 2003 SOL have been helping the Metropolitan Police
Force with their domestic violence initiative, and have
been earmarked by the Met' for other projects.
'Say Sorry' is their first production, it deals with
the unseen, unspoken horror of our times - domestic
violence, Alex Barker, the power-horse behind the company
wants to go where theatre seldom dates:
"Our aim is to tackle social issues that are too
often forgotten by the society in which we live!"
In May SOL previewed their new show at the Brighton
Fringe Festival and gave five performances of 'Say Sorry'
to an enthusiastic audience at The Nightingale Theatre
and was delighted to be part of the Edinburgh Fringe
Festival.
SOL have come a long way in a short time and with Alex,
busy writing projects on Stranger Danger, (a show that
aims to protect young children), to a piece that explores
the issue of homelessness you can expect many more things
to come from SOL in the years to come.
Cast + Crew
Neil Harris (CHRISTIAN), Alex Baker (STEVEN) , Craig
Henderson (COLIN)
Stage Manager,Lighting & Sound : Cleo Maynard
Producer : Alex Baker
Director : Neil Harris
Show Reviews
"The festival showed its teeth and its depth in
a riveting production from London's Slice of Life Productions.
The play centres around the interaction of roommates
- a gay guy (Christian) and his straight best friend
(Colin). Christian's lover (Steven) who moves in and
proves three is a crowd. It's a tale of secrecy
the cost of failing to come out, abuse of power, violence
and death. It doesn't pull its punches, but doesn't
rub your face in it just for the shock value
it deals with the issue. Alex Baker's script makes a
real effort to get under the skin of the exploited and
the exploiter. It works. You will recognise many elements
of the haracterisation, the gay guy who doesn't pay
his way, who steals, who is convinced that every straight
guy is gay anyway, etc. My only criticism is that maybe
he tries to redeem Steven a bit too much in the (obvious)
remorse shown in the finale stop crying Steven
- phone an ambulance! Director Neil Harris is more than
on top of his brief in the technical presentation. An
impressive set (for a touring company) and efficient
technicals were a very pleasing accomplishment. Neil
Harris also takes on the role of the victim, Christian,
and in this his performance is extraordinary. His ability
to convey the sense of senseless actions, to justify
the intolerable, and to continue to see the initial
love through blackened eyes and broken ribs, to cry
(inaudibly) for help, to attempt to stand up for his
self respect, is very moving. His emotional range and
sense of inadequacy was compelling. Bully boy Steven
(Alex Baker) was a vain, egotistical, controlling lush
and parasite. He dominated, despite a mellowness of
vocal tone. He psychologically manipulated and in intimate
surroundings made the violent scenes real. The "himbo
with a heart" straight role had depth and a warm
secure sensitivity in a straight man relating to a gay
friend. Good playing by Craig Henderson turned what
could have been a tokenistic role into one that had
strengths and meaning. One can't help wondering though
why he didn't follow up on Christian after he had left,
considering he had jumped to his physical defence so
loyally? Perhaps the "passage of time" between
Colin's departure and the end could be shortened to
maintain the sincerity of the support offered by Colin
to Christian? This was a thought provoking "three
hander" that hadn't a weak link. Its strengths
were equally in its writing, direction and performances.
A very worthy guest in the festival, but they didn't
get the audiences they deserved. I can only speculate
that that may be because they weren't known here
because they most definitely delivered the goods. A
riveting piece of cutting edge theatre. A highlight!"-
Gordon Farrell, Scene City - June 2005
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