Author Archive IDGTF

ByIDGTF

Secure Online Booking and Festival 2016 Brochure Now Available

Secure Online booking for all shows is now available for all shows, powered by Ticketsolve available 24/7 here!

Here are some booking tips:

  • Remember to present your booking reference number at the venue before the performance. No need to print it – you can show us the booking confirmation email on your phone.
  • Don’t forget our get value €10 matinee performances at 2:30pm and 4pm on Bank Holiday Monday May 2nd and Saturday 7th and 14th May.
  • See our Venue Tickets where you can see two performances in one evening in the same venue for just €25.
  • You can also reserve tickets online for our free events, the 1916 Seminar and the play reading Gypsy Queen.
  • If you have any questions or difficulties please email us at boxoffice@gaytheatre.ie.

 

Our brochure is now available throughout Dublin city centre and at venues or you can download a copy.

 

ByIDGTF

Launch of the 13th International Dublin Gay Theatre Festival – Press Release

For immediate release

2016 the year of our Heroes – Thirteenth International Dublin Gay Theatre Festival Launches

The programme of the world’s largest Gay Theatre Festival was launched today by Minister of State for New Communities, Culture & Equality, Aodhán Ó Ríordáin, celebrating a century of LGBT heroes.

“We are delighted to once again host the world’s biggest and most diverse LGBT Theatre Festival from May Bank Holiday for two weeks in this commemorative year. 2016 not only allows us commemorate the contribution of gay people to the freedom of Ireland as a republic, but the many people who led the way to a more equal world for LGBT people. This is our thirteenth year staging new and diverse theatre, welcoming artists and audiences regardless of their sexual identity. Everyone is welcome in this unique festival of theatre” said Brian Merriman, who founded the event in 2004, the 150th anniversary of the birth of Oscar Wilde, with the aim to create new opportunities for visibility and affirmation of emerging LGBT artists and theatrical works.

“I am delighted to be here at today’s launch. The festival is crucial to providing a space for LGBT voices in the arts,” said Minister Ó Ríordáin, “This of course is a very special year for our country and as we reflect on the last 100 years and all of the positive things that we have achieved. We need only cast our eyes back to last May, to when we became the first country in the world to vote Yes to marriage equality, to see how far we have come as a nation.”

For two weeks the Festival will offer a unique opportunity to see LGBT culture on city centre stages (10 performances each night), presented by theatre companies from Ireland, the UK, USA, Canada, Iran, Russia, Germany, The Netherlands, Spain, & Greece. From a wordless contemporary interpretation of the mythical story of Apollo & Hyacinth, to a satire of last year’s Marriage Equality Referendum, this varied programme of music, dramas, comedy and dance is a celebration of diversity and identity.

This year, the festival is especially excited to feature a host of 1916-themed productions in the form of full length plays, including “Eirebrushed,” written and directed by Festival Director Brian Merriman, in which the hidden lesbian and gay heroes of 1916 return today to discuss their place in modern Ireland. There is also a collection of Irish historical shorts and a free academic seminar detailing the forgotten role LGBT people and women played in 1916.

Also featured this year is the story of Alan Turing whose computer cracked the Nazi codes in World War II, and Ireland from the times of Oscar Wilde to the modern heroes that passed the referendum for equal marriage. Helen of Troy, the Greek banking crisis and even “the devil” Julie Andrews, make an appearance in a programme that welcomes, for the first time artists from regimes who endanger their lives as LGBT people in Russia and Iran.

Last week, the festival also received an endorsement from New York City Councillor Daniel Dromm, for the positive impact their work has had on LGBT people of Irish decent. “It is a great cause for celebration that Dublin is the recognised worldwide centre for the celebration of the LGBT identity through theatre as an art form.” said Brian Merriman.

They are all a part of the thirteenth annual International Dublin Gay Theatre Festival. Are You?

-Ends-

For further information please contact:
Brian Merriman, Founder/Artistic Director
pr@gaytheatre.ie

ByIDGTF

Celebrate Heroes at the 13th International Dublin Gay Theatre Festival – May 2nd to May 15th

Introduction from Festival Artistic Director, Brian Merriman:

Welcome to the 13th Festival, where we will pass our 3,500th performance.
It is an exciting year, not only will we commemorate the lesbian and gay heroes of 1916, but heroes of the present day too – our guests who bring their stories for the first time from Russia and Iran. It is so important that we can provide a stage for all in Dublin – the birthplace of Oscar Wilde. We rely on you to be their audience – to hear their stories and affirm their LGBT theatre.

Alan Turing and Oscar Wilde form a bridge before and after 1916 to the present day and to have companies bring their work to you from Ireland, UK, USA, Canada, Netherlands, Germany, Spain is important. Our first partnership with the Kings Head Theatre in London demonstrates clearly that Dublin is a recognised hub for celebrating the contribution and stories of LGBT people worldwide through theatre as an artform.

Despite this incredible profile worldwide, we are still 100% reliant on voluntary effort to bring this unique form of theatre to Irish audiences. We still have no office, no staff, no reliable resources which is unequalled in any other event operating at the scale we do. How do we do it? Two key elements – our volunteers and our audience! Companies make huge sacrifices to come to Dublin and our volunteers work tirelessly to ensure they are supported, that you know about it and that we co-produce quality theatre, giving a stage for the first time in Ireland to great LGBT theatre.

Thank you to all who continue to support us, to our grant aiding bodies the Arts Council, Failte Ireland and Dublin City Council, our sponsors and the many people who keep coming forward offering help and filling our theatre seats!

Please continue to enjoy this diverse programme of drama, comedy, music, history and identity. Follow us on social media and mention us frequently in your own posts. Please step forward with a suggestion or support – we love to hear form you! To all who have brought us to our 15th season (we had two winter festivals) – thank you.

Looking forward to meeting you again during the first fortnight in May! We are all part of the IDGTF 2016 – Are You?

 

ByIDGTF

Brian Merriman at the UCD LGBTQI

Thank you for your invitation to speak today – it is rather a narrow topic and I am sure, having been alphabetically ordered, that by this stage, the distinguished speakers have already covered the issues comprehensively. So I will try to take a particular perspective. I want to ask some questions and set you some challenges.

LGBT people are like all others, born with distinct characteristics that complete their identity. These characteristics can be used positively or negatively in policy and culture, to lead a fulfilled life or to justify the placing of barriers on the road to personal, social and economic freedom and participation, not encountered by other people. How do we cope with that?  LGBT people come to expect and tolerate a higher degree of discrimination. We always have. We became tougher, as so many young people who found they were no longer connected with family or community, in a way they were schooled to expect, became independent in their need to survive. The strong ones did anyway. It is comforting to speak in the past tense about that, but it is not wholly accurate.

We all have our differences. It’s what makes life interesting and it is of use. As the recent referendum demonstrated – society needs its minorities. Why? Because minorities often create the opportunity for the majority to come together, to finally do the right thing and what celebrations ensue! Just as was said post decriminalisation – ‘sure you are all legal now, what’s the problem? This is not an accurate analysis of what our life experience is or what has been embedded in a workplace and societal culture.

Watch out for the signs. I worked while doing my Masters here in UCD on a school show and noticed that within a day or two, many students made a point of telling me one of the teachers was gay – I was never told anything personal about any other teacher. Section 37 of the EEA allowing religious bodies to discriminate in order to protect their religious ethos was not born as a measure to discriminate against LGBT employees, it was born to protect a minority religion from being subsumed by the majority religion’s ethos in the healthcare system. Beware of the law of unintended consequences. I recall when civil partnership was introduced, public servants who applied for their legal entitlements to seek ‘marriage’ leave were now risking endangering their employment, if they worked in the health or education sectors. The majority religion was delighted to support the minority religion’s rights, smartly recognising the exemption as a licence to discriminate against another minority they found far more threatening.

As we celebrate this new equality, we pay little attention to the legacy issues. To those who were prohibited from getting married or believing they could sustain a relationship, as families ignored their need to love, it is too little too late.  Those whose compulsory singlehood, means that even if they had a partner at 65, this legislative reform came too late to provide for pension qualification, as they retired before 2011 and the discrimination remains ongoing for those people in their older age.

At one time, the common bond of shared discrimination united us – there is a divide now – a generation who are born free and those who were not – it is vital not to leave them behind as we stand on their shoulders. I see many signs that that is exactly what will happen in our new freer culture.

There is also a human reaction on our side. When you are no longer different, nobody wants to interview you – and I know some NGOs are finding this new normality quite an adjustment, as are young people who created a media identity from being ‘different’. We are not. We must not create issues for the sake of maintaining profile. I asked Messrs Manning and Mills on Twitter would they ever be invited to speak anywhere by the Iona Institute once the referendum was decided? I’ve been proven correct. A dysfunctional society rendered us different because it was incapable of inclusion. The new Republic thrived on finding, ostracising and punishing difference – ask the Magdalens, the institutionalised children, people with disabilities and many others including of course ourselves. Perhaps we will finally no longer need to explain ourselves in our families, in our communities and in our workplaces? That will help.

It is held that customers are more likely to ‘do business’ in a place where you can ‘see yourself’ behind the counter. How many LGBT citizens see themselves reflected in their workplace or service providers? Diversity means difference – but it is not acceptable for us to wait to be declared or labelled different or to accept any such declaration.  It is for employers and the service providers to develop the knowledge and capacity to respond to difference. In doing so, it will clearly see the merit and ability of all workers. Those who don’t, or don’t want to embrace this equal opportunity, may plead the ‘cost factor’ in accommodating diversity. How much does changing your attitude cost? – nothing. Attitudes change more rapidly when there is leadership from the top. Attitudes that have been embedded in workplace culture for decades, will not be changed in any meaningful way overnight. They will not be changed by holding a conference, tolerating a small diversity project, setting up an LGBT committee, while concealing the old ways at the core. Real change means invoking the merit principle and sticking to that in the workplace.

It is important too that the outcome of the referendum does not push our detractors underground, where they can influence and thrive. There are those who wish to maintain discrimination and they exist, but dangerously are perhaps now less visible. There is an advantage in being able to see ‘the enemy’. Discriminators must be told clearly that it is they who now behave differently, by being out of step with an inclusive, pluralist society. The boomerang of difference must be swiftly returned to those who seek to discriminate. The responsibility to explain such behaviour is now theirs, not ours.

Human rights are not something one group gives to another – they are something you

  • Have the capacity to recognise and respect in one another. We have a decent set of legal protections in the Employment Equality and Equal Status Acts. Law sets benchmarks and creates systems for redress. Real equality means not having to assert ones rights and seek redress, to live free of discrimination or harassment.
  • Our action is needed in asserting our cultural rights. Tackling the ‘whispered’ or implied attitudes that will still invisibly deny us access, or promotion or training opportunities and advancement in the workplace. Women were guaranteed equal pay and equal rights at work by law in 1974 – look what happened in practice – it is difficult for law alone to shift embedded culture. However, unlike change imposed by the Courts or legislature, we have a distinct advantage here. This societal change was imposed by the will of the electorate, and embedded in the Constitution – that in itself is a crucial cultural statement of citizenship and value, long overdue. It is the only form of national apology offered, but it is bittersweet, especially for older people to now see affirmed, that the discrimination they suffered was never necessary in the first place. That is tough.
  • I remember when I joined the Equality sector in 1993, I had already committed to producing ‘La Cage Aux Folles’. No gay actor would play the leading drag role of Albin/Zaza and I eventually had to do so myself or the show could not proceed. I didn’t want to. I knew there would be a price to pay.
  • Despite winning an award for the performance I, who had enjoyed a decent life performing in musical theatre, was never cast in a ‘straight role’ again! Luckily it coincided with my returning to work on a job-sharing basis – another unique thing for a man to do in the 1990s.  And people kept asking me was I job-sharing to raise children! My new work colleagues all attended the show in The Olympia and the Chair of the Board joined in the standing ovation. But afterwards at formal events or boring dinners, she often ‘spiced up’ the after dinner conversation by stating that ‘I had lovely legs’ and then proceeded to laud me for my performance, BUT the code and the message was clear. There was a need to reveal my status. There is something weaker about the gay man. Perhaps something unreliable, even if he has lovely legs! That sniggering culture still thrives today.
  • Let us be clear – the referendum was not just won by the great campaign (and it was great) – our win was painstakingly achieved by each and every person who came out in the preceding decades. That should be acknowledged more generously than it is. It was won by those who marched first, who lost their jobs, were jailed, emigrated, got ill because no one would talk about or medicate AIDS, or dared to tell their stories and demand that they would be listened to and heard. A decade after decriminalisation, we were still hiding in the shadows and behind masks. That is why I founded the world’s biggest gay theatre festival in Dublin in 2004. Theatre is a rare space where stories can be told.
  • It was time to tell our stories critically not to ourselves but in the mainstream. 3,500 performances later, 95% of which is new writing, we still struggle to be included in the arts sector, and to be heard by audiences. Even our allies self exclude themselves by saying ‘good luck, but there is nothing relevant in that for me’. There is – there is the voice of someone who lives and works beside you, in your society, is subject to your laws and despite your own comfort with that society, has lived a very different life in Ireland or abroad. This year, we tell the stories of the gay heroes of 1916 and there were many including Pearse and Nurse O’Farrell – you weren’t taught about them, but they were there. The only thing the gay community wasn’t blamed for in the last 100 years was surrendering on behalf of Ireland in 1916 – we did. No LGBT role models were permitted in Irish culture so we were ‘Eirebrushed’ – airbrushed because we didn’t fit the new Ireland. We are also bringing a play from Russia and one from Iran this year, and the story of Alan Turing – hero one minute – condemned the next. Rights won today can disappear tomorrow, unless we are consistent in our own values and courage.
  • Don’t just fight your own discrimination in the workplace – fight discrimination wherever it occurs.  The courage that led people to come out over decades, is still needed today, except we have the right now to point out difference – difference in treatment, in behaviour and in respect. That is wrong and it is up to us to say so on our own behalf and on behalf of groups who have not come as far as we have.

I was never openly discriminated against – people knew that I had learned to tackle that form of discrimination head on. What I encountered was far more covert. It is the whisper at the coffee break at the interview panel. The slight hesitation at the reference phone-call, the mention of your family status, or of course the physical gesture. And people in positions of privilege, still sore at the defeat of exclusionary Ireland will, like the Masons, still find a means to use their codes and ‘handshakes’ to get their prejudiced points across.

I have during my career been present at many a human rights discussion. I have heard a ‘human rights’ protector proclaim that the current ‘gay agenda’ was to ‘tell people not to kneel down at mass’ or as another protested that she had’ given two of them a lift in her car one day’.

So while the electorate’s message is clear that we are no longer different – the challenge has always derived from the fact, that we accepted the shame and the ill treatment in the past. Do not accept being treated differently now. Your personal life can remain that or you can share it openly in work. What is different and shameful is ongoing discrimination and whether it is on this ground or any other. We have learned the hard way – our commitment to combating discrimination should not be just for ourselves, but to combat all forms of discrimination. Where its existence can be tolerated, it can be reborn.

I have always believed in equality, and even I found it a challenge to fight blatant, hurtful, discrimination. I was giving a talk one day and when I left, I asked myself what I was going to do about the discrimination I was facing. In order to seek redress we need to ‘out ourselves’. So I did take on two bodies. One a bank and the other a service provider and challenged their harassment and discrimination. (Give details of cases). I practiced what I required of others, challenged and won. It wasn’t easy, but putting up with discrimination is worse.

Nobody here needs special treatment in the workplace of the future – we need equal treatment. Though the laws protect us from discrimination in employment and in the provision of goods, facilities, services and accommodation, we who have made progress, now have an ongoing duty to challenge the concealed actions of those who cling onto their powerful positions, where they can discriminate, covertly, at will.

We are stronger now. Our self esteem and mental health is better. Our families are more loyal, our communities more welcoming. We have a right to expect fairness and to be judged only on our many merits. We each must work to ensure that, not only for ourselves, but to prevent other minorities accepting or facing what we did. Ireland is a better place now, but our duty is to embed a new culture of respect in workplaces and communities where none previously existed. Ireland has been cosy without that for 100 years. It’s a lot of time to make up for.

ByIDGTF

Festival Preview 2016 – May 2nd to 15th

Celebrate Heroes and History-Makers at IDGTF 2016!

IDGTF is the largest event of its kind in the world. It celebrates the contributions of the LGBT community through theatre and gives a valuable platform to talented and varied participants from Ireland and abroad.

Our programme is carefully curated by our Artistic Director from over 100 submissions to ensure high artistic standards. But most of all it is fun, exciting and open to all!

In 2016 we celebrate heroes and history makers. From ancient Greece to Oscar Wilde to 1916 and on to modern Ireland, Iran and Russia we explore where we have come from and where we now.

Our programme features revolutionaries, footballers, boxers, nuns, hedonists, feminists, geniuses, heroines, lovers, poets and more!

 

Here is a preview of the 2016 Festival Programme:

  • A truly international line-up from Ireland, the UK, USA, Canada, Iran, Russia, Germany, the Netherlands, Spain and Greece.
  • Approximately 30 productions over 14 days and nights across 6 venues (over 180 performances of theatre in all)
  • Drama, comedy, music, cabaret, dance, free events and more.
  • Multiple World, European and Irish premieres.
  • Exciting new collaborations with the leading LGBT theatre companies in the UK (King’s Head Theatre) as well as with the oldest LGBT theatre in the USA (TOSOS).
  • A series of events related to the 1916 Rising – including full length and short plays and an academic seminar.
  • New writing by female writers and directors in our ‘Feminists Awake’ programme.
  • Irish Historical Short plays as well as International Shorts.
  • A look at the 2015 Marriage Equality Referendum and its aftermath
  • A nightly Festival Club where participants, audience, supporters and volunteers can socialise
  • Saturday and Bank Holiday Monday daytime matinee performances at only €10
  • Our closing ‘Gala and Awards Night’ where we celebrate excellence in the Festival with awards for acting, writing, aspects of production, intercultural-dialogue and contributions to LGBT theatre.

Julie Andrews, Alan Turing, Padraig Pearse, Oscar Wilde, Roger Casement and Helen of Troy will all be joining us for Festival 2016. We hope that you can join us too!

ByIDGTF

IDGTF Table Quiz 2016 – Tues March 22nd

Our annual Table Quiz takes place on March 22nd from 8pm. Tickets are €40 for a table of 4. If you don’t have a table come along and we will find a way to accommodate you.

Hosted by TV3’s Conor Clear join us for great prizes and a raffle.

See our Facebook Quiz Page for more. Email quiz@gaytheatre.ie to reserve a table.

ByIDGTF

Programme 2017 Out Now

Find out more here.

Let’s celebrate you and me as we explore LGBT identity in all its forms.

In 2017 we bring you the best gay-related theatre from Ireland and across the globe.

Young LGBT people and questioning ‘straight’ men, artists and rent-boys, illegal immigrants and proud trans women, Mormons and boxers

join them on an amazing journey from May 1st – 14th 2017.

ByIDGTF

#WakingTheFeminists: Look Beyond the Abbey – Support women’s theatre where it’s happening right now

A letter from Brian Merriman, Artistic Director of the IDGTF to the Irish Times regarding the controversy about the level of female representation in the Abbey’s 1916 Centenary Programme.

The Irish Times, Nov 16

Sir, – The “grant cake” that too many depend on is too small. Creativity today is about conforming to pre-established criteria and frameworks designed by committee.

We’ve a question for #wakingthefeminists, which we support, how many of you have engaged with our unique International Dublin Gay Theatre Festival, which has staged and supported 3,000 performances of new works that prioritise feminism, identity (and masculinity) since 2004?

We identified that there was a paucity of women writers and opportunities for their work to be seen, so we worked on it. We mentored, fundraised, risked knowing audiences would be small, but created a valuable space. In total, after 12 years of identifying and supporting this vital work, we get combined (arts and tourism) grants of €71 to stage each performance and to run the festival. Has anyone ever raised an eyebrow, bought a ticket or during this debate referred to our achievements in this field long before it began trending on social media? The real debate should be about why people are excluded from theatre and accessing resources when they are doing what theatre should be doing. If all the feminists and their supporters turned up at our exceptional programme of feminist theatre staged in Dublin this year, we wouldn’t have had so many empty seats and so many female artists left in debt.

It’s cool to fill the Abbey Theatre when the cameras are there – it’s more valuable to support theatre when it’s being created and performed at bargain prices, in the hope that authentic voices can be heard in a sector crying out for invigoration and relevance. – Yours, etc,

BRIAN MERRIMAN,

Founder,

International Dublin

Gay Theatre Festival,

Dublin 8.