Festival Programme

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October 2009
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Reviews & Previews

Review: Killed by Curriculum

Review: Killed by Curriculum

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I always look forward to unearthing a hidden treasure in the Festival programme each year and I am rarely disappointed. Imagine my surprise when I stumbled upon a real treat on the first day. Killed by Curriculum produced by the Independent Youth Theatre Dublin, has a real hit in Shaun Dunne’s new play. Loath though I am to go overboard on young talent, for fear ego will obscure the emerging talent that is Dunne and his troupe, it would be unjust not to praise this play to the full.


It has an attractive confident and talented cast. The even ensemble playing is focussed, clear and believable under Aifric O Rourke’s and Shaun’s co-direction. We are in a sixth year classroom, with Liana O Cleirigh’s very young teacher keeping the group on the curriculum.


There is some real talent on stage. Though each cast member has a name they are known by their labels, Liar, Cliché, Slut, Fag and Man - interestingly the Man character is the only one without a negative tag…and he is straight. Barry Morgan’s handsome Frank is quite together emerging gay and the plot unusually singles him out from the other scenarios at the end, which jarred a little with the ensemble theme. There was some very naturalistic playing of a text that should switch off many people - interspersing thought with poetry but that’s the key to its success - it works. Its stimulating, challenging and innovative.


This dysfunctional group unleash all the pressures of the points system, the out-dated curriculum, onto their own comfortable dysfunctional. John Montague and Sylvia Plath’s work is the stimulus for the independent thought process of the piece and it is a most intelligent approach from Dunne. There were some very strong monologues with Gemma Ali Hayes Brady, Caroline Becky Moriarty and Lindsey Paula Lyne showing great assurance in their delivery, comprehension and connection.


This play is a must for younger people, its funny, honest, well played and razor sharp in its humour and construction. It exposes the pressure on modern youth and their invented language and behaviour codes which get them through each day. There are some clichéd scenarios but few cliched responses. It finishes on Wednesday - do not miss it.


Review: Gordon Farrell