Check out the reviews of some of our week 1 shows at
TheOutMost.com including a 5-star review for Botox Angels.
‘***** – Inspirational accessories are used to underline the performances, which go hand-in-hand with the dialogue, complete with elements of clowning, dancing and slapstick. The energy is infectious, and the performances are flawless.‘
‘**** – This play draws the audience in from the start, with Bates bringing Robert Casement to life with a lightness of touch.‘
‘**** – great timing and have a great connection, and it’s the kind of show that has you debating with your friends afterwards. Go see it if you enjoy banter, exploring the playful use and misuse of words and watching performers who are totally in tune with each other.‘
Additional review for Botox Angels
“It seems like Botox Angels just has it all. Apart from the phenomenal script and great acting, the play is filled with wonderfully choreographed movements.” –Yana Writes About Theatre
From adult drama to cabaret to comedy we explore the loves, desires and lives of LGBT people from around the world.
Check out some programme highlights over the two weeks of the Festival exploring love, lust and relationships.
WEEK ONE – Mon May 2nd to Sat 7th
Bellelen Helen of Troy – A Greek Beauty Reveals Her True Self
A pole-dancer enthrals a lustful group of men with her dance… but she is more than she seems. This is legendary beauty Helen of Troy, transformed into a trans Greek migrant escaping economic chaos. As she performs she will reveal her true self to her audience…
May 2 – 7 2016 @ 7:30pm; Matinee May 2 & 7 @ 2:30pm
Botox Angels – Feminism, Sexuality, Power, Art
In a fascinating piece full of surprises three women explore their sexuality, bodies, power relationships, feminism, philosophy, iconic female artists.
Funny, erotic, dark, cerebral, physical … this play has it all!
May 2 – 7 2016 @ 9pm; Matinee May 7 @ 4pm
Straightened Out – A Musical Celebration of (Equal) Love
Martin P. Koob brings us on a musical journey celebrating love and love songs. Enjoy a glass of wine and give in to romance at this late-night weekend show at the Cobalt Cafe.
May 6 & 7 @ 10:15pm
Waking Beauty – The Story of a Girl Who Wanted More
A little girl is raised to believe that happiness comes from her looks and being chosen to be loved one day by a man… But what if a girl demands more? This romantic drama reveals both hidden heroes and alternative happy endings.
May 2 – 7 @ 9pm; Matinees May 2 & 7 @ 4pm
… and don’t miss our Irish Historical Theatre Shorts featuring a real life lesbian love story from 1916 and our Marriage Equality comedy drama – ‘The Ref‘.
WEEK TWO – Mon May 9th to Sat May 14th
Erect But Unstable – Multi-Faceted Comedy about Queer Love
This gem from Canada explores queer love and sexuality through multiple monologues. Don’t miss this award-winning comedy drama.
May 9 – 14 @ 7:30pm; Matinee May 14 @ 2:30pm
F*cking Men – A Portrayal of Male Desire
Three gorgeous men star in this smash-hit play from London’s King’s Head Theatre. A look at the erotic encounters of 10 men searching for sexual satisfaction.
May 9 – 14 @ 7:30pm & Matinee May 14 at 2:30pm
5 Guys Chillin’ – True Stories of Drugs, Hook-ups and Grindr
This graphic and gripping play also from the ‘King’s Head Theatre’ explores real stories of real men from the world of ‘Chemsex’, Grindr and instant gratification…
May 9 – 14 @ 9pm; Matinee May 14 @ 4pm
Remember Me – Retracing a Relationship
Luc pays his ex a visit, both men searching for comfort and consolation. Swinging from hysteria to moments of tenderness a relationship is laid bare in this Irish drama.
May 9 – 14 @ 7:30pm; Matinee May 14 @ 2:30pm
Away From Home – A Male Escort & a Premiership Footballer
Male escort Kyle gets more than he bargained for when he is hired by a closeted premiership footballer. But can the truth be hidden forever in this exploration of sexuality and homophobia in the world of soccer.
May 9 – 14 @ 9pm
Proposal Under the Rainbow – Meet the Mother-in-Law!
Two fictional dynasties, the Jamesons and the Guinnesses are about to be united as Vivyan plans proposing to his partner Timothy. But first he must face a tricky challenge… the approval of his formidable future mother-in-law, Lady Dorothy!
May 9 – 14 @ 9pm; Matinee May 14 @ 4pm
Alex seems like a normal 25 year old guy on the surface. But behind the moral facade he indulges in his deepest darkest desires. Don’t miss this high-energy adult drama from Germany.
May 9 – 14 @ 9pm; Matinee May 14 @ 4pm
… and from a moving coming-out tale to condoms to lesbian nuns and Julie Andrews don’t miss our sparkling selection of International Theatre Shorts.
Discover our special 1916 programme and please note some important programme changes
At IDGTF 2016 we celebrate heroes and history makers.
One of the highlights of the Festival is our special 1916 Rising programme, where we celebrate the courageous LGBT women and men who fought for personal and national freedom but whose true stories were suppressed or forgotten.
Through drama, short plays and our free seminar we will ensure that their incredible stories are finally heard, including fascinating accounts in their own words.
Don’t miss this special programme running as part of week one of the Festival from May 1st to 7th
IDGTF 2016 launches with a special free seminar exploring the contributions of lesbian and gay people to the Rising.
Chaired by Seamus Dooley of the NUJ it will feature a distinguished panel of academics and writers who will explore the Rising from different perspectives.
This free event is open to all but please register online to guarantee a place.
Sunday May 1st at The Teachers Club (Main Hall): 12-3pm.
This exciting new addition to the programme looks at one of Ireland’s most controversial revolutionary figures and famous gay icons – Roger Casement.
Drawing on his own journals, letters and writings – as well as the infamous ‘Black Diaries’ this play has been described by critics as ‘powerful’, ‘thought-provoking’ with ‘an impressive and assured performance’.
May 2 – 7 @ 7:30pm; Matinees May 2 & 7 @ 2:30pm;
(Replaces ‘Beautiful Friends’ advertised in the brochure)
Eirebrushed looks at the LGBT revolutionaries who fought for personal and Irish freedom and asks what they would think of the modern Ireland that was born from their struggles?
Named after courageous Nurse Elizabeth O’Farrell who was literally airbrushed from historical images of the Rising, this play also looks at Padraig Pearse, Roger Casement and Eva Gore-Booth the revolutionary sister of Countess Markievicz.
May 2 – 7 @ 7:30pm; Matinees May 2 & 7 @ 2:30pm.
Our ‘Irish Historical Shorts’ take a look at LGBT history from the time of Oscar Wilde up to late 20th century Ireland. One highlight of this fascinating shorts programme is Honor Molloy’s ‘And In My Heart’ – the true love story of her great aunt as a young lesbian in a revolutionary era.
May 2 – 7 @ 7:30pm.
New Festival Venue and New Book
Appropriately for our 1916 Centenary Programme we introduce a new Festival venue for 2016 – ‘The Pearse Centre’ on Pearse Street opposite Trinity College. Check our 2016 Venue Map for more.
The plays ‘Eirebrushed’ and ‘Wretched Little Brat’ by Brian Merriman have been published in a single volume priced at €15 online including postage.
Also available for a limited period for just €10 direct from Festival venues and our soon to open Festival pop-up shop.
Learn new perspectives on the personalities surrounding 1916 and the lovers of Oscar Wilde.
Due to circumstances outside of our control, all performances of ‘Beautiful Friends’ and ‘To Kill A Machine’ have regrettably been cancelled. We apologise for any inconvenience caused. For any queries contact firstname.lastname@example.org
The good news is that we have added four new productions into the 2016 programme – more history makers, more comedy and more music!
‘McKenna’s Fort’ – the story of Roger Casement (see above)
‘A Sacrilegious Lesbian and Homosexual Parade’ – a straight drummer accidentally becomes a gay rights activist in the fight for LGBT inclusion the New York St. Patrick’s Day Parade. Don’t miss this witty and highly original take on the parade.
Wed 4, Thu 5, Sat 7 May @ 9pm; €10 matinee Sat May 7 @ 4pm.
‘Seriously. Camp. Cabaret’ – for one night only cabaret and burlesque favourites underCURRENT bring you drag, cabaret, burlesque and live music, from Broadway and pop hits to obscure gems.
Fri May 6 @ 9pm.
‘Dear Attracta’ – if you enjoyed the sell-out hit ‘Angela She Wrote: Lansbury the Musical’ in 2015 you’ll love this late-night drag and comedy show from GLAD Productions. Meet agony aunt Attracta Tension as she dishes out no nonsense replies – and songs – on life’s problems.
Fri May 13 & Sat May 14 @ 10:15pm.
IDGTF is the largest event of its kind in the world. It celebrates the contributions of the LGBT community through theatre and gives a valuable platform to talented and varied participants from Ireland and abroad.
Our programme is carefully curated by our Artistic Director from over 100 submissions to ensure high artistic standards. But most of all it is fun, exciting and open to all!
In 2016 we celebrate heroes and history makers. From ancient Greece to Oscar Wilde to 1916 and on to modern Ireland, Iran and Russia we explore where we have come from and where we now.
Our programme features revolutionaries, footballers, boxers, nuns, hedonists, feminists, geniuses, heroines, lovers, poets and more!
Here is a preview of the 2016 Festival Programme:
Julie Andrews, Alan Turing, Padraig Pearse, Oscar Wilde, Roger Casement and Helen of Troy will all be joining us for Festival 2016. We hope that you can join us too!
‘Away From Home’ takes on another taboo – the premier league- in the Players Theatre at Trinity College. This well-produced one man show reveals the secrets of complex masculinity in ‘the beautiful game’ in a seemingly honest portrayal of contemporary sporting life.
Kyle is a complicated young man, rebellious and leading a double-life as an escort, comfortable enough in his own skin. He socialises with the ‘lads’ at the soccer games but services the lads on his client list. Hartsthorn-Hook Productions and Working Progress Theatre Company (UK) present a revealing drama which tackles homophobia in football both internal and group, in a very frank way. Kyle (Rob Ward) is a deserved star of one man show theatre. He is handsome, energetic and totally convincing as the desirable young escort who finds himself ‘crossing the line’ with a famous client.
Writers Martin Jameson (director) and Rob Ward unpack the hidden side of soccer from supporter to player which has strict boundaries between ‘laddishness’ and affection. The play does slightly over-egg the issues near the end, but it is Ward’s completeness in the role that drives the play forward with an honesty and struggle for truth and acceptance. It unpeels the layers of protection of the insisted machismo of throwing your arms around each others in supportive joy when your team scores, to the pub banter that is often offensive to the guy you have your arm around in celebration. Kyle’s separation of all aspects of his life is a precarious balance between telling the family he works with friends and vice versa. It all comes crashing down when love intervenes in an impossible scenario of clashing careers, publicity and fear. The charismatic playing engages the audience from the start and puts this performance truly into the premier league. It is sexy, honest, energetic and convincing throughout and will appeal to soccer supporters, players or anyone who finds love in an unexpected place. Showing in Players Theatre, Trinity College (Through Main Gate, veer left three blocks) at 9pm nightly and 4pm on Saturday.
Festival Review Team
‘Tits Up’ is the gloriously politically incorrect, predictable comedy contribution from the ever popular ‘Acting Out’ LGBT community drama group that continues to power ahead. It is good to see this form of theatre being included in the programme for 2014. There was quite a subdued audience on Monday night and it is essential with a comedy that insists on ‘sending up’ ever possible minority in an ‘un-PC’ way to go with the flow. If you don’t, you will find yourself the subject of the outrageous humour in the next sequence.
The play centres around a mismatched couple, Clive (Howard Lodge) and Susannah (Rachel Fayne) whose marriage survives on putting others down rather than facing their own realities. It is a series of monologues by writer Sean Denyer than annoyingly evolve from the predictable into the ‘you can’t help but laugh’ scenario for the audience – and that’s what you do – laugh at things you probably should not. Clive is an interior designer in serious denial. Susannah is his outrageous spoiled D4 wife who insists on not ‘judging’ people with hilarious rebounds. However ultimately these thin stereotypes prove to be quite open to change and new horizons, even if some precious status symbols get sacrificed along the way. This marriage fumbles along until Magda and Chuck intervene and all hell breaks loose in the previously sublime surrounds of D4 living. The plot is contrived – it has to be. Sometimes the build up to the predictable is agonising as there can be nothing subtle about this comedy. The pace is somewhat laboured and deliberate and the audience does not need that much assistance in throwing itself into a series of one liners designed to offend and amuse. Do not bring your value system to this just join in one of Susannah’s aerobic classes and watch the consequences unravel as two lives go ‘tits up’ is an hour of farce, humour, and fun in a well lit and camp sound-tracked show in the entertaining hands of this community drama group. Runs at 9pm until Thursday.
Festival Review Team
‘Eirebrushed’ by Brian Merriman is a controversial and challenging piece of theatre that takes a lot of cultural taboos and shakes them to their core. It is what a gay theatre festival is about, if it is to assert a mainstream relevance. This moving, provocative story invites Pearse, Casement, Gore Booth and O’Farrell back to the new ‘Republic of Equals’ to ‘tell their truth’ in 75 minutes of energetic delivery, interesting construction and a rapid fire of ideas, theories, sacred cows and twisted interpretation. It casts the fight for freedom in 1916 beyond the nationalistic struggle and into one for personal freedom. It makes a lot of sense. Ideas are thrown out in quick-fire delivery of questions with answers to an acknowledged audience but it stops rightly short of insisting on a particular conclusion. That is up to us and we have a range of options we didn’t have before the play began to consider. The audience has to work at this and it is definitely a piece that a walk along the boardwalks afterwards will help to digest.
Killian Sheridan presents a fragile Pearse, not the leader expected. He still struggles with truth and dogged certainty, a century later. Stephen Gorman’s rasping Casement is well presented without any baggage. He is forthright, to the point, honest sometimes with considerable humour. That is what might be expected of a story of heroism in 1916, but the discussion of womens’ rights, passionately placed in the hands of Joanne Logues’ Eva Gore Booth and Diana O’Connor’s empathetic Nurse Elizabeth O Farrell, is the real feminist heartbeat of the piece. Logue’s is eloquent as a campaigner and writer. Farrell’s down to earth, low energy logic connects the audience into a complicated plot with humour and ease. There is some astonishing research and the thematic connection of the common bonds between the heroes in the final scenes is powerful and revealing. The relevance of the struggle for personal freedoms today is not lost. Excellent lighting and design graphics keep the heartbeats pounding as the Republican idealists stand accused of replacing a political oppressor with a conscience oppressor for another century. It is a battle of Church and State as Casement notes, ‘oppression is often defined by borders but the worst is within’.
This play reaches out way beyond the remit of this theatre festival and if it begins a new approach to examining this oncoming decade of anniversaries then it will contribute something relevant and important and fuel many a debate in the days to come. It will not be so easy to ‘airbrush’ out the contribution of LGBT heroes in the future or to accept the narrow definition constructed in the text books so easily and limiting. Provocative, controversial, revealing and new. Runs until Saturday in the New Theatre at 7.30 pm with a matinee on Saturday at 2.30pm.
Festival Review Team
‘A Boy and A Bean’, by ‘Nick n Tom’ comes direct to Dublin from it’s Mardi Gras award winning performance in Sydney. Following a great tradition of Australian theatre at the festival, ‘ A Boy And A Bean’ is a twist on the classic fairytale ‘Jack and The Beanstalk’ set in contemporary Sydney, with a marriage equality message. The story is charmingly delivered by Nick Atkins in an hour of intimate theatre that just flies by. The storytelling is delivered through the eyes of 19 year old Jack, 24 year old David and a Giant whose presence swings from sinister to reality. He cuts to the chase of modern relationships and raises the bar at crucial moments as we skip through a decade of Australian events that progressed and regressed marriage equality.
This modern urban tale also skips through modern day Australian politics (with an explanatory guide) with a timely message for those formulating their campaigns for equality in Ireland next year. It explores the manipulation of the marriage equality debate by religious groups who fundraise to oppose equal marriage via coffee franchises in a strong performance piece that charms, entertains and informs. From the chanteuse/cabaret welcome, to the careful manipulation of a mountain of coffee beans, through to general knowledge trivia, placed in the story to challenge you to be accurate in assessing your own actions in a relationships, this piece does a lot more than campaign for rights. Jack and David are two inadequately prepared young men at its centre and the play reveals all the truth and carelessness along the way to building a meaningful relationship. It is a love story which falls victim to the inadequacies of the boy from Wogga Wogga finding his way in the big city who struggles to find the format for a same sex relationship that works. Atkins is petite and powerful with a diversity of characterisation that sustains this structured piece in a warm and engaging way.
The use of multimedia, sharp technical delivery and an unflagging delivery makes for a charming afternoon of theatre that plays again on Saturday in the New Theatre at 4pm but nightly at 9pm all week until Sunday. This heart-warming tale of two guys, a dog, a beanstalk and an outcome is modern, relevant and thoroughly entertaining.
Festival Review Team